22.Aug.2010 Cleveland Rock is Dead, Long Live Cleveland Rock

Strangely enough, it wasn’t the move of Black Keys drummer, Pat Carney, from Akron to NYC, or the seemingly imminent relocation of bandmate Dan Auerbach, which led me to start taking stock of all musicians who have departed the Cleveland-Akron Metro over the past year.  Rather, it was the less publicized breakup of Cleveland rock mainstays Coffinberry, spurred on by bassist guitarist Tony Janicek’s move to Portland.  For those of you not scoring at home, here’s a list of some of those who have left NEO in the past year:

JR Bennett of Unsparing Sea (Nashville)
Pat Carney of the Black Keys (Brooklyn)
Jon Finely of Beaten Awake (California)
Tony Janicek of Coffinberry (Portland)
Ryan Weitzel of Mystery of Two (Brooklyn)

In the order of hurt, it’s hard to single out one of these recent exits as the most painful. Carney’s relo stung because he was on record as harboring resentment towards Devo, and The Pretenders, and other acts from previous eras who left NEO. Bennett’s was a case of a group, Unsparing Sea, which should have garnered a much bigger audience outside of Ohio, but never did, leaving untapped potential on the stage and in the studio. The consistency off Coffinberry, meanwhile, was taken for granted, and only after announcing their dissolution, did an overflow crowd come out to Pat’s in the Flats.

The Black Keys will soldier on, to be sure, and the breakup of Mystery of Two isn’t a given. Even if Mystery of Two’s drummer Nick Riley has been gigging around town with Filmstrip, it remains unclear how active the band will be in the coming months and years. Unsparing Sea, Coffinberry, and (presumably) Beaten Awake are all down for the count.

Let’s be honest, Cleveland didn’t get its reputation of being an anti-destination (Rightfully so, or not so much), because all of its artistic talent (And jobs, for that matter) chose to stay in the city. And, Cleveland and Akron bands have this habit of dissolving, re-forming, and absorbing other musicians from other bands in the cycle, all with little fanfare, meaning there are even more names which probably should be added to the above list.

Now, add Brandon Stevens, the head of Exit Stencil Records who recently re-located his label’s operations to Brooklyn, and the talent drain in the Northeast, Ohio music scene becomes even more apparent.

So, which departure hurt the most? It’s like asking which nun in Catholic school had the most vicious ruler. They all did. They all hurt.

Being from Cleveland, the capital of Rock ‘N’ Roll and the capital of self-defeatism, cynicism, and pessimism, it would be all too easy to sulk.  We lost Lebron.  We lost The Black Keys.  The Indians lose, the Browns lose.  We always lose.

Yet, should you stop being a Clevelander for a moment, you would realize it all isn’t doom and gloom.  Anecdotal evidence suggests Cleveland is and has always been near the top in the United States in terms of per capita live music venues. Plus, Cleveland holds its own in per capita drunkenness. Add these two together and (in theory) there should be no shortage of new talent. Whether that talent sounds any good the morning after, however, is up for debate.

Two acts which do sound good, sober or otherwise, Cloud Nothings and Prisoners, have already started making headway with lo-fi pop and ragged, Replacements rock, respectively. Cloud Nothings, in particular, have garnered more press than any recent Akron or Cleveland act not named the Black Keys. Prisoners, on the other hand, should be busting out of this town any minute.  Granted, both bands are years away from becoming the Godfathers of Northeast Ohio, Rock and Roll, but when you also consider veteran bands and artists like This Moment in Black History and John Petkovic of Cobra Verde and Sweet Apple, have both released invigorating new albums this year, one has to conclude the scene is in good hands.  It’s just lacking the one act, the one band, that everyone in town can rally around.  It used to be The Black Keys.  It may still be the Black Keys, however, the opportunity is there for someone new to be the national face of Cleveland rock.

Now, let’s hear from you.  Which recent exit was the biggest to hit the Northeast, Ohio music scene?  Which band or bands to you see stepping up in the coming months to take the place of the likes of Coffinberry, Mystery of Two, and Unsparing Sea?  With the Black Keys mostly out of town is their even someone you would hold up as the face of Northeast, Ohio music?


Comment Pages

There are 17 Comments to "Cleveland Rock is Dead, Long Live Cleveland Rock"

  • The Shepherd says:

    If you’re going to write an article about people in Cleveland bands. Make sure you know which instrument they play “Mr. Cleveland”.

  • Bill Lipold says:

    My aren’t we snippy tonight, but whatever, I made a mistake in the article and it’s been corrected.

  • pedestrian says:

    check out octolope. kent based band with ties (not members of ) to beaten awake etc.. octolope.bandcamp.com (demo)

    octolope is a new breed of nautical space travel, and will be playing with the hot rails sept. 10th @ the zephyr pub in Kent OH.

    dig.

  • Jeff says:

    The Modern Electric are definitely another upcoming band with a lot of potential. As for recently departed acts, I miss To Be A High Powered Executive the most.

  • Jeff says:

    I’d say the biggest person to leave is Ryan. Since Collectible Escalators and Audio Eagle pretty much dropped off the face of the Earth, Exit Stencil has arguably been the best label in Cleveland. Now that he’s taken the operation to Brooklyn, it’s going to leave a big void in the Cleveland music community. Plus, Ryan’s a super nice guy! But on the good side, he has and will be pressing with Gotta Groove Records.

  • hey,

    we just wanted to say that, despite our leaving cleveland for brooklyn, we hope to remain active and working with bands from the area. besides pursuing the personal desire to experience a new city, we are pretty confident that relocating to brooklyn will be beneficial to everyone involved with the label (past, present, and future); and we definitely hope that our future remains tied to cleveland.

    thanks for the story and honestly, with blogs like this, i think that cleveland remains in more than adept hands!

    -brandon & ryan

    • Bill Lipold says:

      You know it hit me after I published on Sunday that we never did that quick interview about Exit Stencil’s plans in Brooklyn. It would make for a good follow up to this piece.

      Give me a couple days to prepare and I’ll get the discussion started.

  • User_Bass says:

    the wack keys are and have always been overrated. filmstrip is way the fuck sweeter than mystery of two, and bands like this moment, megachurch, short rabbits, and sun god are better than any of the other bands mentioned. so as far as im concerned we’re doing fine. dont get me wrong, ryan weitzel is a super nice guy and everything, but other than promoting the piss ouf of mystery of two and hot cha cha i dont think its that huge of a loss with exit stencil. nice guys, yea, totally (and hot cha cha all nice gals), but a huge contributing factor in our music scene, no. not in my opinion, but whatever. fuck it anyway. this cleveland “pop” scene is fuckin weak, and the whole “90′s revival” thing with fuzzy guitars trying to be all sweet now is weak too. bands like user, and roue’ were doing that shit like 5 years ago. virtual tardy pass to all ya’ll.

  • eric says:

    meh. people come. people go. esr is still doing a lot with cleveland bands (ie filmstrip, yawns, etc.). they haven’t really left cleveland, so much as relocated out of state for a while.

    not sure what all the piss and vinegar is about, but we’ve always been a surly bunch.

    sad that they are all gone. but for every band or person that leaves, another one just as good or better will fill their spot.

    • Bill Lipold says:

      I agree, Eric. There’s always been a huge turnover in the Cleveland music scene and hopefully, I didn’t dwell too much on the negative. What struck me this time, however, was the sheer number of people deeply involved with music in NEO leaving in such a short period of time. There certainly is big opportunity at this stage in the cycle, for new talent to emerge.

  • Sarah says:

    I thought Unsparing Sea was going to be big outside of Cleveland too. Seems random who garners mass attention and who doesn’t. i think they definitely had the most potential, so it is sad to see that they’re gone. Would’ve been interesting to see where they went (unfortunately i didn’t actually know they were officially gone) : (
    I also miss To be a High Powered Executive. Seemed like we were about to have a “scene” for a minute there…
    But I also think its important to note that, while bands WILL come to take the place of the above mentioned bands…there are also still some great bands here already that haven’t gone anywhere!
    Afternoon Naps anyone? + many more.

  • Jeff M says:

    And it’s really hard to sad about all the people leaving when we’ve got Emeralds, Cloud Nothings, and Herzog all garnering national attention!

  • Megachurch says:

    Megachurch is here for you in these dark, trying times.

  • Megachurch says:

    the tempting fruit of the city named New York is a bitter, rotten apple. forgive these backslidden brethren for they know not what they do.

    but lo! fear not ye cleveland sinners! the coming of the Megachurch will cleanse the filth from this once righteous city, as was foretold in the book of Corinthians, Chapter 14, Verse 15.

  • timo says:

    Another great loss to the city’s music was Doug McKean’s relocation to Texas last month.

    That being said, the city’s music will roll on. As long people keep breathing, some will make their noise, and others will listen.

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