Steve Albini likes to think of himself as a “Hands-Off” type of producer, preferring the title engineer. Still, it’s difficult to listen to the Cloud Nothing’s “No Future/No Past,” the first track released from their second album due out this January, and not cite his work with bands like The Pixies, Mclusky, or even The Jesus Lizard as a direct influence on this track. To be clear, this is not the sweet ‘n’ innocent, lo-fi pop that first got Dylan Baldi and his band-mates noticed in Cleveland and across the states. No, this is noise rock in the soft/loud/soft style of the ’90s with an elastic bass line like one Kim Deal would have laid down on Surfer Rosa and a pointed howl that’s too Frank Black not to drop his name, too. Whether “No Future/No Past” is an indication of what we can expect once the album drops is anyone’s guess. And, that’s the point, isn’t it? Baldi, with a hand from Albini, has completely rewritten all expectations of his band.
- January 28, 2015
It's not just the whole damn country that's about to blow up, with his third long player in less than three years, Lamont "Bim" Thomas is due to blow up, too. For more than any other Obnox record, Boogalou Reed, showcases Thomas' unique ability to blur the lines between punk rock, hip-hop, and experimental sounds. There are no beat-based joints, or punk rock ragers, or improv head fucks. Instead, there are Obnox songs, fifteen of them, to be precise, and each one gives the listener a slightly different perspective into the mind of Thomas, on this, the outlaw rockers' most poignant work to date. Read More
- January 22, 2015
- November 21, 2014