Three albums into their career, and the West Coast noise pop group, Crocodiles, are still better defined by name dropping other bands like Jesus and Mary Chain, Echo and the Bunnymen, and Black Rebel Motorcycle Club than by noting anything that is uniquely Crocodiles. Even here, on Endless Flowers, as they attempt to incorporate the varying styles of Brit Pop, The Paisley Underground, and new wave fit for a John Hughes movie soundtrack, they’re no closer to crafting their own identity. Granted none of this matters when you have a pop song as good as “Sunday (Psychic Conversation #9).” It’s a fun, danceable track with swarms of groundless guitars and a bright upbeat melody, and just the right amount of unhinged noise in the bridge to give it an edge over your standard power pop, the type of track that would have had them top of the alt-rock charts during the ’90s. And, with the right amount of exposure, it could even raise their profile in today’s era. But when you get to the meat of the album, and the songs are just standard, and not exceptional, you’ll have a difficult time not switching mid stream to other bands who did the noise pop thing before, did it better, and did it with a stronger sense of self. 6 out of 10 on The Rockometer.
- March 26, 2015
Much like the beloved American sitcom, Seinfeld, a show about nothing, Courtney Barnett's debut album, Sometimes I Sit and Think, Sometimes I Just Sit, managers to be highly entertaining while working with the most banal source material. Man plays hooky from work. Couple goes house hunting. Courtney swims. Courtney buys groceries. These are but a sampling of the seemingly ordinary scenes recreated over the course of eleven songs. There's even a track, "Small Poppies," where Barnett thinks about moving the lawn. She doesn't actually cut the grass, mind you, she just thinks about it. Read More