Note to clown rocker, Gene Simmons, and everyone else who trots out the old line, "Rock is dead." Rock 'N' Roll is not dead. The '70s are dead. The era of arena rock is dead. But that old spirit of Rock 'N' Roll, the desire to aim for the last row and blow every last fucking mind in the building, is not dead. Witness, Death from Above 1979, and their long-awaited comeback album, The Physical World.
With such an impressive discography assembled at such a short time, Ty Segall was the last rocker I would expect to make the rookie mistake of confusing studio budget and studio time with permission to go ahead and record a 17 track, almost 60 minute album.
By definition, a supergroup, like Canada's New Pornographers, should be fun. A supergroup is an opportunity for friends to get together and make music free from the same kind of expectations placed on their main projects. Yet, despite the pedigrees of Carl "AC" Newman, Dan Bejar (Destroyer), Neko Case, and the others who've contributed to the band's last two albums (2007's Challenger and 2010's Together) this supergroup had begun to sound like a super drag. Ornateness had been mistaken for quality. Tempos lurched into mid-tempo hell. The band's most recent effort, Brill Bruisers, is a lot of things: Fun, engaging, a return to form, a new direction, and most definitely not a drag.
The Fat White Family
Fat Possum Records
With a band like The Fat White Family, ...