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deafheavenNewBermuda
9 Score

The Rockometer: New Bermuda by Deafheaven

Black metal doesn't like California black metal band, Deafheaven, that much has been established since the band's rapid ascent. But did you know, Deafheaven, in addition to being influenced by black metal, but not being a black metal band, is fond of Brit-Pop icons, Oasis? In a lengthy profile in Pitchfork that is well worth the read (dude's didn't have it easy, dude's had to hustle and grind), lead guitarist Kerry McCoy was proud of the fact that Deafheaven's third album, New Bermuda, was scheduled to be released on the 20th anniversary of Oasis' (What's the Story) Morning Glory?
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destructionUnitNegativeFeedbackResistor
6 Score

The Rockometer: Negative Feedback Resistor by Destruction Unit

All this noise for what? Oh, Destruction Unit live up to their name on Negative Feedback Resistor. Their sound is that of a tornado ripping apart a trailer park -- the kitchen sink rattling its contents of crusted pots and pans, vinyl siding smashing against once immovable oaks, cars piled upon cars. No one does destruction with guitar better than these dudes. Everything they touch rips with the ferocity of west coast hardcore and east coast noise addicts.
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Protomartyr_LP2
8 Score

The Rockometer: The Agent Intellect by Protomartyr

Living in a once-bustling, major Midwest metro like Detroit, requires a certain amount of resilience. Yet few, even the most avid civic boosters of Detroit or Cleveland or Buffalo, for that matter make resilience sound as virtuous as Detroit's Protomarty do on The Agent Intellect.
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obniiisworthalotofmoney
7 Score

The Rockometer: Worth a Lot of Money by OBN IIIs/S/T by Snooty Garbagemen

When you trade in '70s style riff rock, like the OBN IIIs do, there's inherent risk. One hackneyed rhyme of "Rock 'N' Roll" and "soul" and all good will is lost. You get labeled as the kids who never left the Camaro and the high school parking lot, whose best and blurriest days all had two things in common: Budweiser cans and stank weed.
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IRC_LOGO2250

Watch Me: “Nothing Compares 2 U” by Chris Cornell

Up until 2 PM on Wednesday, September 23rd 2015, I had no use for Chris Cornell outside of Soundgarden. Then, I chanced upon this on Sirius XM Lithium
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deafheavenNewBermuda

Play Me: “Come Back” by Deafheaven

Fuckin' brilliant, in the way bands like Mogwai and Godspeed! You Black Emperor can be fuckin' brilliant over 10 minutes, taking the listener on a ride though hills, valleys, peaks, and right off the cliff. And just when you think you know where Deafheaven are going with "Come Back," more (More horror show screams! More crescendo!) they drift off into this delicately pastoral movement, one more common to feel good folk rockers than Rock 'N' Roll behemoths. Fuckin' brilliant.
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12 Sleeve (3mm Spine)
8 Score

The Rockometer: Illegals in Heaven by Blank Realm

In one sense, yes, Illegals in Heaven is Blank Realm's pop record, for gradually over the course of their career, the Brisbane art-punks have moved from outsider noise rock aiming to please the curators of all things obscure to easily identifiable song structures with shorter run times and predictable melodies. Yet, while continually making strides towards accessibility, the band still enjoy playfully fucking with everything they record by placing track upon track of melody, counter melody and white noise upon those simple songs.
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ObnoxPortrait

Play Me: “See Me” by Obnox

Now, here's a face I never thought I'd see on the NPR website. Hillary? Sure. The Donald? Yes. Kim Davis? For fucks sake, I wish it wasn't so. But Obnox, Cleveland's own, Lamont "Bim" Thomas? As much as his profile has been steadily rising with each successive release of forward-thinking, punk'n'rap'n'soul albums, or trunk punk, as he calls it, I never considered the possiblity of Bim on NPR
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