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I Rock Cleveland vs. The Beachland Brunch 10.5.14: The Playlist

As always, thanks to the Beachland Ballroom and Tavern for having me over to jam during Sunday brunch, and thanks to everyone who stopped by and said hi. This is the text version of every record I laid down, at the bottom of this post, you'll find a Spotify playlist of most everything.
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Your Cleveland Concert Calendar for October

Thursday, October 2nd: Coheed and Cambria @ House of Blues. Friday, October 3rd: Pete Yorn @ Beachland Ballroom. People's Temple, Obnox, Black ...
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5 Score

The Rockometer: Black Moon Spell by King Tuff

Would Batman still be Batman without Bruce Wayne? Would Superman be the same without Clark Kent? Sure, they'd still be super heroes, of course, they're super and heroic, but without their alter egos their characters would be far less compelling. For two albums, King Tuff's Kyle Thomas pulled off a similar stunt. By day he was a do-nothing layabout who surfed couches and snacked cheese doodles. In his dreams, and on stage, he was a different person. The minute he strapped on that guitar he would become King Tuff, the pin-up idol of teenage girls and the envy of every man who'd ever played to mostly empty, wholly disinterested barrooms.
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A Jam Packed Friday with Mark Lanegan, Godflesh, Yes I’m Leaving, and Jeff the Brotherhood

Those pining for the days of Mark Lanegan, shoulda-been grunge icon, should check out the latest LP by Seattle doom and drone pioneers, Earth, where the onetime Screaming Trees frontman lends vocals to two tracks. For if there's one thing that's become clear over Lanegan's long and varied solo output, it's that he's not always keen on repeating those days
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The Rockometer: Primitive and Deadly by Earth

Since Earth's resurrection in 2005, the Seattle doom and drone pioneers led by guitarist Dylan Carson have etched out a respected career out of one very long, and very deliberate note. Their brand of drone, or apocalyptic folk, established on 2005's Hex; Or Printing in the Infernal Method, and later perfected on 2008's The Bees Made Honey in the Lion's Skull and the two volume Angels of Darkness,
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8 Score

The Rockometer: Commune by Goat

The good Goat is a menace. Modern head music tends to stick to one of three strains -- The Velvet Underground and Spacemen 3 style drones, Sabbath and Sleep slow-moving doom, or stuck in the '60s San Francisco revivalism. Sweden's Goat can't be characterized so easily. Shit, there are times during their Sub Pop debut record, Commune, that a PhD could come in handy...
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The Rockometer: 1984 by Ryan Adams

Everyone has a Ryan Adams in their music collection, an artist they followed closely as their career began and whom they've slowly stopped following as the years went by and each new release became a game of is it ok to listen again? For me, my Ryan Adams is Ryan Adams, himself. I've trashed, traded-in, an deleted too many Ryan Adams releases to count since 2002's Demolition. So these days, when it comes to new Ryan Adams records, I let others do the listening.
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The Rockometer: Tied to a Star by J Mascis

Look, I'm under no impression that acoustic J. Mascis on his latest solo outing, Tied to a Star, will deliver the same type of thrills as plugged in J. Mascis posing in front of a six-stack of Marshall amps, leveling a room with feedback and fury. I have much more realistic expectations. All I want is a moment or two of fine finger-picking and a couple tracks to reassure myself I indeed need J. Mascis unplugged in my life.
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