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Watch Me: “Life Like This” by Kurt Vile

Kurt Vile, has long been known as a rambling blues man whose complex, dreamlike melodies fuck with long-standing norms of the genre. But, did you know Kurt Vile is also a piano man? On "Like Like This," the latest preview from his forthcoming Matador album, Vile augments that wandering guitar style of his, not with more guitar and more feedback, but with a persistent piano loop giving, this otherwise rootsy track a sly modern feel.
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Play Me: “Chlorine and WIne” by Baroness

"Chlorine and Wine" is epic without being tedious. None of the individual movements overstay their welcome. The ambient into, blends into a folksy passage, which in turn leads to evenly paced power chords. "Chlorine and Wine" is heavy without being obvious. Dave Fridmann's mix rightly focuses on the guitar chug (and later the Thin Lizzy style, double-tracked solo), but remains spacious. The Flaming Lips' go to man left plenty of room for brilliantly colored swooshes of electric sounds, like one would hear on a Lips album.
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Protomartyr

New Jam City: New Jams by Protomartyr and Blank Realm

I am Morrissey. For the better part of 2015 I've been all "Burn down the disco/Hang the blessed DJ/Because the music they're constantly playing/It says nothing to me about my life." Then, there are weeks like this, when new jams by Protomartyr and Blank Realm, bands that do speak to me and my life, hit on consecutive days.
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The Rockometer: High by Royal Headache

If musicians were subject to rules of an NFL-style draft, Royal Headache's vocalist, a man who goes by the name Shogun, would be a first round pick. His voice has the wear of a life that hasn't always been an easy one to live. He's got soul. He's got effortless range. If he came in the age in the late '60s he could have fronted the Faces. In the '70s it would have been The Nerves or The Jam. And, if he came of age in the '80s, and really, really liked his booze, he could slide right into an outfit like the Replacements. In the grunge era, he would have sung like he had marbles in his mouth. Let's be glad Shogun is not active in 1995, but in 2015, where he sounds right at home in this scrappy four-piece, garage band from Sydney.
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Top Jam: “Carolina” by Royal Headache

From the first time I heard Royal Headache's lead singer, Shogun, open his mighty pipes I've contended he's a star, as in network TV performances, gossip mags and paparazzi, trapped in an indie-rockers body. Dude has a classic, soulful and scruffy voice like Rod Stewart, and in the right setting, like, say this video for the mid-tempo strummer, "Carolina," from the band's new album, High, out this Friday, it positively stuns.
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Deafheaven

New Jam City: Hear New Jams by Deafheaven, Destruction Unit, My Disco, Blank Realm, and Deerhunter

Deafheaven's "Brought to the Water," isn't a total reinvention of modern heavy into some overwrought philosophical work, like that of that other heavy-as-holy-hell, but totally not a black metal band, Liturgy. Rather, it's a refinement of the visceral thrills which made Deafheaven's debut so compelling.
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Play Me: “Look to the Sun” by Obnox

Bim don't quit. Clevelander, Lamont "Bim" Thomas writes, records, and tours as Obnox as often as other musicians tweet their lamebrain opinions on shit they don't know shit about, which is all the damn time. 2015 has already seen to Obnox albums: Boogalou Reed and Know America, and today, we get the first taste of Bim's third release of 2015 in the form of "Look to the Sun" from Wiglet, due out later this year on Ever/Never. This one is a slow, purposeful crusher with deliberate, doom metal guitars rendered in static, and vocals, half spoken and half sung, blurred by the rumble. It's not a happy song, in the least, but damn am I happy Bim keeps doing his thing.
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New Jam City: New Jams by Fuzz, Kurt Vile, and Archie & The Bunkers

Not to be confused with The Ty Segall Band, Fuzz is that other band from the prolific, left-coast garage rocker, Ty Segall. And like Fuzz's 2013 release, "Rat Race" and "Pollinate" from Fuzz's forthcoming, In the Red Records release on 10.23, both feature that smoked out, heavy duty blues sound your longhaired uncle dropped out to in 1973.
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