Browsing Tag

garage

ObnoxWigletAlbumCover

Play Me: “Look to the Sun” by Obnox

Bim don't quit. Clevelander, Lamont "Bim" Thomas writes, records, and tours as Obnox as often as other musicians tweet their lamebrain opinions on shit they don't know shit about, which is all the damn time. 2015 has already seen to Obnox albums: Boogalou Reed and Know America, and today, we get the first taste of Bim's third release of 2015 in the form of "Look to the Sun" from Wiglet, due out later this year on Ever/Never. This one is a slow, purposeful crusher with deliberate, doom metal guitars rendered in static, and vocals, half spoken and half sung, blurred by the rumble. It's not a happy song, in the least, but damn am I happy Bim keeps doing his thing.
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fuzzAlbumCover

New Jam City: New Jams by Fuzz, Kurt Vile, and Archie & The Bunkers

Not to be confused with The Ty Segall Band, Fuzz is that other band from the prolific, left-coast garage rocker, Ty Segall. And like Fuzz's 2013 release, "Rat Race" and "Pollinate" from Fuzz's forthcoming, In the Red Records release on 10.23, both feature that smoked out, heavy duty blues sound your longhaired uncle dropped out to in 1973.
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Royal Headache by Luke Stephenson

Play Me: “Another World” by Royal Headache

The fact that the music of Sydney's Royal Headache generates instant comparisons to past greats like The Nerves or The Jam is in no way a knock on the band. Rather, it's a compliment of the highest order. Listen to this new jam, "Another World," and how its gravely, high-energy mix cannot hide the quartet's pop acumen. It's perfect pop, played with vigor, sung with soul, as if Royal Headache first ones to stumble upon the formula.
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RoyalHeadache

Play Me: “High” by Royal Headache

It's been far too long since we last heard from Sydney garage rockers, Royal Headache. Their debut album came out in 2011 in Australia, a year later hear in the States, and between then and now their recorded output consisted of a 7" for Matador Records' singles club. It was a sweet single, sure, but a voice like Shogun's, one of sandpaper and blue-eyed soul legends and lofty range, shouldn't be a secret held by Aussie rock aficionados. It needs to be heard.
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6 Score

The Rockometer: Sound & Color by Alabama Shakes

Is it still dad rock if the band is young and the lead singer, Brittany Howard is an African-American woman? I'm serious about this. For as much as I listen to Sound & Color, the second album by Alabama Shakes, I can't shake the feeling that the classic Wilco burn is appropriate here.
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A Fistful of Jams: New Jams by Liturgy, Death Grips, and Thee Oh Sees

The tech world loves its disrupters, those whose ideas and products shake up the status quo. The music world has a much more troubled relationship with those who dare challenge convention. Acting out in public is disruptive and accepted. Flamboyance and egos can be accepted form of disruption, too. Can you say Kanye? Live hard and live fast, destroy your shit and destroy yourself and you'll be admired for your edge. But try to change the way people engage with music through philosophy? No, no, no, now you're being a conceited asshole.
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Obnox

New Jam City: New Jams by Obnox, Jon Spencer Blues Explosion, and Flesh Lights

After two albums where the lines between rock and hip-hop became increasing blurred, Obnox offers up something different as a first taste from his second album of 2015: a rocker, no slashes, no dashes, just a rocker.
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Mikal Cronin MCIII Album Cover

Mikal Cronin’s New Jam, “ii) Gold,” Is the Jam

The best power pop artists, from Big Star on through Matthew Sweet, Teenage Fanclub, and Sloan, make it sound so easy that they leave you wondering why aren't more bands capable of the perfect three-minute rock single every time? After all, it doesn't take a rocket scientist, or even a drummer, to write a simple melody and put a guitar on it.
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