Browsing Tag

garage

RoyalHeadache

Play Me: “High” by Royal Headache

It's been far too long since we last heard from Sydney garage rockers, Royal Headache. Their debut album came out in 2011 in Australia, a year later hear in the States, and between then and now their recorded output consisted of a 7" for Matador Records' singles club. It was a sweet single, sure, but a voice like Shogun's, one of sandpaper and blue-eyed soul legends and lofty range, shouldn't be a secret held by Aussie rock aficionados. It needs to be heard.
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alabamashakesannouncedetailsofsecondalbum
6 Score

The Rockometer: Sound & Color by Alabama Shakes

Is it still dad rock if the band is young and the lead singer, Brittany Howard is an African-American woman? I'm serious about this. For as much as I listen to Sound & Color, the second album by Alabama Shakes, I can't shake the feeling that the classic Wilco burn is appropriate here.
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A Fistful of Jams: New Jams by Liturgy, Death Grips, and Thee Oh Sees

The tech world loves its disrupters, those whose ideas and products shake up the status quo. The music world has a much more troubled relationship with those who dare challenge convention. Acting out in public is disruptive and accepted. Flamboyance and egos can be accepted form of disruption, too. Can you say Kanye? Live hard and live fast, destroy your shit and destroy yourself and you'll be admired for your edge. But try to change the way people engage with music through philosophy? No, no, no, now you're being a conceited asshole.
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Obnox

New Jam City: New Jams by Obnox, Jon Spencer Blues Explosion, and Flesh Lights

After two albums where the lines between rock and hip-hop became increasing blurred, Obnox offers up something different as a first taste from his second album of 2015: a rocker, no slashes, no dashes, just a rocker.
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Mikal Cronin MCIII Album Cover

Mikal Cronin’s New Jam, “ii) Gold,” Is the Jam

The best power pop artists, from Big Star on through Matthew Sweet, Teenage Fanclub, and Sloan, make it sound so easy that they leave you wondering why aren't more bands capable of the perfect three-minute rock single every time? After all, it doesn't take a rocket scientist, or even a drummer, to write a simple melody and put a guitar on it.
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KingTuffBlackMoonSpellAlbumCover
5 Score

The Rockometer: Black Moon Spell by King Tuff

Would Batman still be Batman without Bruce Wayne? Would Superman be the same without Clark Kent? Sure, they'd still be super heroes, of course, they're super and heroic, but without their alter egos their characters would be far less compelling. For two albums, King Tuff's Kyle Thomas pulled off a similar stunt. By day he was a do-nothing layabout who surfed couches and snacked cheese doodles. In his dreams, and on stage, he was a different person. The minute he strapped on that guitar he would become King Tuff, the pin-up idol of teenage girls and the envy of every man who'd ever played to mostly empty, wholly disinterested barrooms.
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tysegallmanipulator
7 Score

The Rockometer: Manipulator by Ty Segall

With such an impressive discography assembled at such a short time, Ty Segall was the last rocker I would expect to make the rookie mistake of confusing studio budget and studio time with permission to go ahead and record a 17 track, almost 60 minute album.
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A Jam Packed Friday with Ty Segall, Nude Beach, Sloan, Lower Plenty, and The Afghan Whigs

Ty the Ripper is back. After a quiet end to 2013 with the downcast, and appropriately named solo album, Sleeper, garage-rock guitar hero, Ty Segall has returned to doing what he does best -- Ripping, shredding, going apeshit on guitar, giving zero fucks about being able to hear past the age of 40, sounding like Kurt Cobain stuck in San Francisco circa 1973, etc, exclamation point.
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