Browsing Tag

jams

GotobedsPoorPeopleAreRevolting
10 Score

The Rockometer: Poor People Are Revolting by The Gotobeds

What's not to like about these Pittsburgh smart-asses, the Gotobeds? Poor People Are Revolting, the band's debut long player for Gerald Cosloy's 12XU, is two sides of punk rock slop packed with clever vocal jabs and insatiable melodies.
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aptbs20124

Play Me: “Straight” by A Place to Bury Strangers

After exploding onto the scene in 2007 with one of the loudest and most jarring live shows in the game, the industrial-strength, New York noise band, A Place to Bury Strangers have often struggled to match the intensity of those early days when comparisons to Jesus and Mary Chain hung around the band's neck like the storied albatross, only to be obliterated by a ruckus so severe, the human ear buckled in ecstasy. Or, to put it more succinctly, if you love it loud, you loved A Place to Bury Strangers.
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CaliforniaX_n

Play Me: “Nights in the Dark” by California X

Don't be alarmed by the D&D inspired album art on the embed below. California X are still the same band of rippers who make motorcycle rock for people who'd rather stomp a Steppenwolf LP than consider the possibility that their old man has good taste in music
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YesImLeavingSlowRelease
9 Score

The Rockometer: Slow Release by Yes I’m Leaving

Slow Release, the latest long player by the Sydney band, Yes I'm Leaving, is a record you can judge by its cover, its back cover to be more precise. Let's read over these song titles. Side one starts with "One," and leads to "Puncher," "Fear," "Alchemy," "Timer" and "Salt." Side two reads "Care Less," " Manic," "Funny," "Secret," and "Husk."
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Thurston-Moore-The-Best-Day
8 Score

The Rockometer: The Best Day by Thurston Moore

I'm not terribly interested in Thurston Moore's personal life. As a Sonic Youth fan, it sucks that indie rock super couple, Moore and Kim Gordon split. But, I'm not going to get into the blame game, labeling Moore a misogynist pig for ditching Gordon for a younger model. Breakups aren't easy. Breakups are rarely clean. And when a break up involves one of the most admired underground rock bands in history, it only serves to reason that some with no skin in the game will all of a sudden take a personal interest in Moore and Gordon's personal matters. Sonic Youth was a fucking institution for three fucking decades. Yet, to hear Moore tell it, Sonic Youth had started to run its course, too.
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NudeBeach77AlbumCover
7 Score

The Rockometer: 77 by Nude Beach

While the album title, 77, may suggest the golden era of punk rock, Nude Beach's behemoth, 18 song, 70+ minute effort actually pays homage to a different Rock 'N' Roll tradition -- That of the American bar rock band. That old practice of men working for the weekend and then ringing it in with beers and blasting guitars may wax and wane, but never completely goes out of style. Depending on your vantage point, the trio of Chuck Betz, Ryan Naideau, and Jim Shelton may remind you of Tom Petty in the '70s, The Replacements in the '80s, Wilco's early output in the '90s, or contemporary rabble-rousers like The Men.
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Sleater-Kinney Band Photo

Play Me: “Bury Our Friends” by Sleater-Kinney

Beloved, Washington rock trio, Sleater-Kinney are back, and, hot damn, are they back in a big way. First there's the matter of the career-spanning box set out tomorrow. Then, we found that career-spanning box set contained a mystery 45. The mystery 45 was confirmed to be from a new album, No Cities to Love (out 1.20 on Sub Pop). And, finally, that new album is leading to a world-wide reunion tour. Not a bad weekend for Sleater-Kinney fans, huh?
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Nothing

A Jam Packed Thursday with Nothing, Cult of Youth, Mr Gnome, Twerps, and Parkay Quartz

When the book is closed on 2014, or a month from now when music pubs start pushing their end of the year round-ups, a surprising release will likely top my list -- Nothing's Guilty of Everything. Upon it's release, I found it more diverse and more engaging than most modern shoegazer albums (your best comparison may be '90s alt-rockers Hum, a band who weren't afraid to go full metal during their atmospheric rock jams), yet, I also felt emptiness upon my initial listens. Here was a band fronted by an ex-punk, ex-con and I wanted more of the story to come through in the lyrics. Turns out, Nothing wasn't lacking. My patience was lacking. The title track kills me to this day.
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